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Like a lot of farmers back then, Mattison hoped costs would stay at that level. "It was a fairly nice way to make a living. When the industry was, say, $8,000, or $10,000 an animal, you sell ten animals, that's $100,000 a year," he says. "That was kind of my aim. I was hoping it would have stayed like that in addition to a guy could have just stayed property and raised elk." Inside the http://www.topekafirstassembly.com/, he's running a road building firm with his brotherinlaw. Appropriate now they're working on a job inside a congested region of Minneapolis near the Metrodome, greater than an hour to the west of here, but it's clear that Mattison's real interest is right here at home. He cruises his pickup to another pasture farther down the road, where mother elk with this year's calves, their coats still spotted like fawns, graze inside the tall grass.
Every single when in awhile, one particular tends to make a faint squeak like a faroff door hinge. Mandy, a tame elk who Mattison's household raised on a bottle when her mother rejected her, puts her moist black nose via the fence. "She loves individuals," Mattison says quietly. "She'd a great deal rather be with humans than with other elk." Mandy nevertheless misses living up by the topekafirstassembly, he says. "Matter of fact, if she's within the pen by the road, any time you leave, she'll run the whole fence line. Looks like she's racing together with the pickup." The elk farm is just not fairly breaking even, but Mattison thinks it is going to soon, and in any case, he's in it for the long term. And he says even when elk weren't worth 5 cents he'd nevertheless hold a few of them around.
JACKET COPY: A PASSION FOR INNOCENCE: SEX AND SEXUALITY In the PAINTINGS OF JOHN CURRIN explores how paintings with the major modern American artist John Currin (b. 1962) from about 1990 to 2010 divulge and represent anxieties over and changes in ideas and imagery of sex and sexuality in American culture. The paintings are divided into two groups. The first group of paintings on the 1990s portray in varied strategies the deep and unsettling, but furtive anxieties over sex and sexuality bound into identity, social and personal relationships, and public life. The second group of paintings in the course of the very first decade on the 21st century portray resolutions to these anxieties as these resolutions have come about in homosexuality
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